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| | 她把一座不存在的城市，一根线一根线画了出来 | | | 蜂鸟摄影 ｜ 2026-09-22 | | | |
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scroll 0 1 学画画的人，最怕听两句话。一句是“画得跟照片似的”，骂你像台机器；另一句是“你该不会是用尺子画的吧”，骂你像在作弊。
可法国画家玛格丽特把这两句话全认了：她不光用尺子，连棉线都派上了用场，而且没有一丝心虚。
先交代身份：她是正经科班出身，毕业院校在法国布雷斯特，还系统学过艺术治疗。别人画一张画，换的是颜料和心情；她画一张画，桌上常备三样东西——铅笔、直尺，和一团棉线。
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她的画，常常不是“一张画”，是“一面墙”。人得踩着梯子在上面作业，画稿从地板一路长到天花板：走近看全是线，退远看，是一座只存在于她脑子里的城市。
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棉线的用法最有意思。绷紧了，它就是一把任意长度的直尺；手腕一压弯出弧度，它又成了曲线板。且不说她用的是什么工具，因为工具从来不决定高低，决定高低的是用工具的那只手。直尺能画出的只有直线，画不出的那一部分，叫设计。
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她最重要的系列之一叫“未来”，画的全是从未存在过的建筑：管道缠着胶囊，立方体摞着拱门，电梯井和天桥在纸上交错，密得像把一整座城市剖开来给你看内部结构。说它像电路板也好，像飞船剖面也好，反正地球上的建筑学院教不出这种楼。
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她把一座不存在的城市，一根线一根线画了出来
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蜂鸟摄影
2026-09-22
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